Dana Harel – Sculpted 

A star of New York Bridal Fashion Week, Dana Harel’s strapless satin gown is an architectural dream. With a minimalist bodice and voluminous gathered skirt, this dress blends clean lines with grand proportions.

The structured waist and subtle seaming give it an elegant silhouette that’s both regal and understated. It’s ideal for a formal city wedding or a grand estate ceremony. The standout element? The seamless fusion of modern minimalism with timeless grandeur offers proof that volume doesn’t have to mean excess.

House of Savin – 3D

From the runway to the aisle, House of Savin’s pink floral ballgown is a true showstopper. With a translucent corset and three-dimensional flower appliqués, this gown shows of maximalist volume with a sense of whimsy and flair.

Perfect for the bride seeking a fashion-forward, unconventional look that’s perfect for a lavish celebration or en-vogue venue. Its standout feature is its bold use of florals giving a look of the finest dahlias; the petals add volume and craft an unforgettable shape, complementing the close fitting bodice, which has a unique form reminiscent of those elegant petals. The collection launched for the first time at a stunning display at Kensington Palace, a fitting venue for Savin’s structural masterpieces.

Donna Salado – Layered

When she launched her new collection at Bridal Week Harrogate this spring, we knew we could expect great things from Donna Salado, and she did not disappoint; her interplay off textures and volumes was a particular highlight.

The Emerson gown delivers a fairytale feel with tiered satin layers cascading into a gentle train. The corseted bodice, adorned with delicate pearl strands on the arms, adds old-world elegance. This look belongs at a romantic garden ceremony or even a chateau wedding with its own sense of drama. What sets this style apart is its refined layering – each fold adding to the dream-like volume without overwhelming the silhouette.

MiaMia – Contrast 

British bridal icon Marguerite Hannah, the creative behind the stunning Alan Hannah collection, also designs the MiaMia line. Her eye for detail is evident, and we have fallen for the Quinn gown, which shows how volume can be light and fluid.

It plays with structure through expertly placed draping and layers to the skirt. The fit-and-flare silhouette hugs the body before erupting into soft, frothy volume at the skirt; the mix of textures is perfection. The ideal dress for a modern romantic wedding, we could see this in a cool gallery space or intimate modern venue. We just adore that contrast: the sleek, structured bodice versus the airy, blooming skirt.

Words Anna-Marie DeSouza