With ethereal fabrics, flowing silhouettes and sculptural folds, bridal designers are bringing a fresh, modern edge to their collections with a nod to ancient goddess beauty - and we’re all here for it.
This trends draws its lineage from ancient Greece - think statuesque silhouettes, fluid folds and an effortless sense of grace. Traditional fashion pieces like the chiton and peplos were made from large swathes of fabric, artfully wrapped and pinned to flatter the body, which was often immortalised in marble sculptures of the female form.
Today, we’re seeing more and more designers reinterpreting these historical references for the modern bride. We’re moving away from heavy brocades and maximalist drama: instead, we’re seeing lightweight silks, chiffons and stretch satins expertly pleated and draped in all the right places. The resurgence of Grecian draping has also been making its way through mainstream fashion culture over the past year (we’ve seen waves of this at the Met Gala, and both Paris and Milan Fashion Weeks), and it doesn’t seem to be going anywhere.
The ‘Lennox’ gown by Katherine Tash epitomises the “effortless goddess” vibe that defines this trend. Crafted in silk crepe with barely-there seams, the gown floats down the body in clean, liquid lines. Its signature feature is the soft ruched bodice that gently gathers at the waist, offering both structure and fluidity. This is a Grecian-inspired gown for the minimalist bride - elegant, versatile, and undeniably timeless.
‘Isla’ by Savannah Miller draws on both ancient and contemporary elements. Its softly pleated chiffon and crossover halter neckline give way to fluid drapes - it’s both floaty and ultra-flattering, and we’re swooning over it.
‘Hebah’ by Veni Infantino brings all the Grecian drama - it’s both ethereal and empowering, with its soft square neckline, delicately beaded waistband and flowing chiffon cape sleeves for undeniable drama.
The ‘Lyon’ dress by Ines Di Santo is Grecian draping at its most romantic. This off-the-shoulder gown floats effortlessly with its barely-there silhouette, crafted in chiffon that cascades from a delicately ruched neckline. The dropped shoulder floral detailing adds a whimsical touch, ideal for the bride who wants to feel like a work of art.
Jesus Peiro’s Style 2608 takes a more architectural approach. The gown features a high, square neckline with expertly layered pleats, creating a modern toga effect. The gathered waistband cinches the silhouette, while the skirt cascades in crisp, controlled folds. Style 2608 was made for brides who love structure, but still want movement and grace - we love it!
Lastly, ‘Gabrielle’ by Maggie Sottero offers a much more contemporary take on Grecian draping. The supportive yet subtly sexy mesh basque bodice gives the gown a sleek, modern feel, while the lightweight chiffon skirt brings all the movement and grace associated with ancient-inspired silhouettes.